1960s, The Beatles

pop

Pop music in the 1960s

Many British pop groups in the 1960s were heavily influenced by American blues and R&B. These included The Beatles and The Rolling Stones.

R&B stands for rhythm and blues – a style of black American music combining jazz and blues which emerged in the 1940s – not to be confused with today’s R&B.

The Beatles helped to reshape Western pop music and were the most successful band ever. Every album was a huge hit from the early material on Please Please Me (1963) to the hugely innovative Sgt. Pepper’s Lonely Hearts Club Band (1967).

They helped to create a distinctly British sound which used:

  • British (rather than American) accents
  • standard song forms
  • distinctive chord sequences and vocal harmonies
  • rhythmic guitar work
  • simple melodies
  • clever lyrics

George Martin was their imaginative producer. John Lennon and Paul McCartney wrote most of their own material.

The Beatles had a huge influence and pop groups sprang up all over the UK usually writing their own songs.

The Kinks were a four-piece band who had a string of hits during the 1960s including Waterloo Sunset, and Dedicated Follower Of Fashion.

Their songs were short and punchy with thought-provoking lyrics and elements of music hall. Songwriter Ray Davies’ lyrics often used images of everyday British life.

Groups such as The Kinks, The Small Faces and The Who helped to establish a British tradition of:

  • guitar-driven pop groups
  • a classic line-up of lead guitar, bass guitar, drums and vocals
  • verse and chorus songs, rich in hooks and melodic interest
  • conventional chord sequences

The chorus:

  • sets the refrain of the lyrics and often contains the title words
  • usually returns several times, always with the same words
  • is normally the ‘catchiest’ part of the song

The verse usually has different words with each repetition.

  • a riff is a short, repeated melodic pattern, often forming the background to a solo or vocal line. It is usually one to four bars long.
  • a hook is a short catchy melodic idea designed to be instantly memorable
  • guitar licks are short solo phrases that can be heard at the ends of some of the vocal phrases
  • fills are short flourishes used to fill a gap between phrases and are often played on drum

More:

http://www.bbc.co.uk/schools/gcsebitesize/music/popular_music/popular_1960s3.shtml

Vídeo: Yellow Submarine (The Beatles) –  Sesame Street version

Yellow Submarine (John Lenon – Paul McCartney)

In the town where I was born
Lived a man who sailed to sea
And he told us of his life
In the land of submarines

So we sailed up to the sun
Till we found the sea of green
And we lived beneath the waves
In our yellow submarine

We all live in a yellow submarine
Yellow submarine, yellow submarine
We all live in a yellow submarine
Yellow submarine, yellow submarine

And our friends are all on board
Many more of them live next door
And the band begins to play

We all live in a yellow submarine
Yellow submarine, yellow submarine
We all live in a yellow submarine
Yellow submarine, yellow submarine

[Full speed ahead, Mr. Parker, full speed ahead!
Full speed over here, sir!
Action station! Action station!
Aye, aye, sir, fire!
Heaven! Heaven!]

As we live a life of ease (A life of ease)
Everyone of us (Everyone of us) has all we need (Has all we need)
Sky of blue (Sky of blue) and sea of green (Sea of green)
In our yellow (In our yellow) submarine (Submarine, ha, ha)

We all live in a yellow submarine
Yellow submarine, yellow submarine
We all live in a yellow submarine
Yellow submarine, yellow submarine
We all live in a yellow submarine
Yellow submarine, yellow submarine
We all live in a yellow submarine
Yellow submarine, yellow submarine

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